{"id":61,"date":"2018-10-11T12:08:37","date_gmt":"2018-10-11T12:08:37","guid":{"rendered":"http:\/\/timmyschenk.local\/?page_id=61"},"modified":"2018-11-05T12:14:27","modified_gmt":"2018-11-05T11:14:27","slug":"ecrits","status":"publish","type":"page","link":"http:\/\/www.timmyschenk.com\/en\/ecrits\/","title":{"rendered":"Writings"},"content":{"rendered":"

Academic works:<\/h2>\n

Des Hommes et des seuils – De la liminalit\u00e9 dans composition contemporaine (2018)<\/a><\/strong><\/em><\/p>\n

 <\/p>\n

De l\u2019\u00e9lectronique \u00e0 l\u2019instrumental… Et inversement ! (2016)<\/a><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Travaux acad\u00e9miques: Des Hommes et des seuils – De la liminalit\u00e9 dans composition contemporaine (2018)   De l\u2019\u00e9lectronique \u00e0 l\u2019instrumental… Et inversement ! (2016)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/pages\/61"}],"collection":[{"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":5,"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/pages\/61\/revisions"}],"predecessor-version":[{"id":561,"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/pages\/61\/revisions\/561"}],"wp:attachment":[{"href":"http:\/\/www.timmyschenk.com\/en\/wp-json\/wp\/v2\/media?parent=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}